RIVER HOUSE
RESIDENTIAL
Client Private
Location New Hope, Pennsylvania, US
Program Single family residence
Area 299 m² / 3,217 sf
Status Commission
Location New Hope, Pennsylvania, US
Program Single family residence
Area 299 m² / 3,217 sf
Status Commission
BETWEEN CANAL AND RIVER
River House transforms the narrow ground between canal and river into a sequence of timber pavilions, where water, privacy, roof, and movement become one spatial order.
Situated between a canal and the Delaware River in New Hope, Pennsylvania, the project begins with a site defined by two parallel conditions of water. The house is not conceived as a single object facing a view, but as a sequence of interconnected pavilions that organize daily life between river, canal, ridge, and sky.
The site already contains a powerful order: water on both sides, a long linear ground, changing privacy, and a horizon opened by the river. What it lacks is a domestic structure capable of gathering these relationships into a coherent way of living. River House answers through sequence. Instead of concentrating the house into one volume, the project distributes life across a family of rooms and roofs, each oriented toward a different relation between shelter, exposure, water, and landscape.
A SEQUENCE OF TIMBER PAVILIONS
The house is organized as a series of connected pavilions. Each pavilion has its own height, orientation, and roof profile, allowing the project to respond to changing conditions of privacy, light, approach, and outlook. Together, the pavilions create a continuous domestic landscape rather than a single isolated object.
This sequence allows daily life to unfold gradually. Movement becomes part of the architecture: arriving, turning, gathering, looking, withdrawing, and returning. Rooms are connected not only by circulation, but by a shared relation to water, timber, roof, and ground. The house is understood through movement, not through one fixed image.
The pavilions create both autonomy and connection. Each room can hold a distinct atmosphere, while the larger order gathers them into one house. This allows the project to support family life through difference: spaces for gathering, rooms for retreat, protected interiors, and outward-looking spaces that reconnect the house to the river landscape.
WATER AS ORIENTATION
River House does not treat the river as scenery. Water becomes orientation. The canal and river establish the primary spatial order of the site, giving the house direction, depth, privacy, and horizon.
Rooms are positioned to gather different relationships to this landscape. Some spaces are more protected, turned inward or shielded from neighboring conditions. Others open outward toward water and distance. The house negotiates between privacy and exposure, between the intimacy of domestic life and the larger presence of the river.
The canal and river create a double condition: enclosure and openness, edge and horizon, movement and stillness. Architecture clarifies this condition. It allows water to become more than a view. It becomes a structuring presence in daily life, organizing how the house is entered, how rooms are oriented, how privacy is protected, and how the body understands its place between two edges of water.
GROUND, ROOF, AND MOVEMENT
River House is a house of thresholds: between canal and river, privacy and exposure, timber enclosure and open horizon, individual room and collective sequence. Its order emerges from the relationship between ground, roof, water, and movement.
Ground anchors the house to the narrow site. Roof gathers the pavilions into one spatial family. Water orients the rooms. Movement connects the whole into a lived sequence. Through these relationships, the project transforms a constrained riverfront site into a meaningful domestic world.
The result is not simply a house beside water. It is a way of living between canal, river, timber, ground, and sky. River House gives the site an inhabitable order, allowing daily life to unfold within a world shaped by water and held beneath a shared canopy.
Team
Noah Fritsch, Andrew Heid, Nanjia Jiang, Xianghui Kong, Tsung-Han Lin, Yuedong Lin, Yoki Luo, Praveen Menon, Jennifer Newman, Jianqing Shou, Tracy Tang, Jingjing Wu, Julianna Yang, Shiyin Zeng, Xinglu Zhu, Zijing Wang, Naiding Yao
Collaborators
Holzraum, Knippers Helbig
